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Fingerstyle Acoustic Blues 

A 10 lesson course in the art of acoustic fingerstyle blues that gives you a real insight into the music pioneered by legends such as Robert Johnson and Big Bill Broonzy. You'll learn all the techniques necessary to give your playing a real authentic feel. 

LESSON 1 - EM BLUES
A piece to demonstrate thumb and finger independence in a blues instrumental and be aware of simple two note chords for effective improvisation. 

LESSON 2 - DAMPENING THE STRINGS
The use of dampened stings, demonstrated with the tune Please don't go. Also, to use this tune as further study of thumb and finger independence.

LESSON 3 - IMPROVISING THE BLUES
By using blues scales in E the student can begin to improvise around the constant bass exercises of the previous session and to put this into practice by playing the two prepared examples - Fingerpicking Blues 1& 2.

LESSON 4 - CHICAGO SHUFFLE
Enables the student to play a more contemporary fingerstyle blues. The bass line remains constant while at the same time a nother bass line is introduced to provide an interesting harmony to the melody line.

LESSON 5 - MOVING BASS
Demonstrates how the rhythmic feel of the previous sessions works just as well if the bass line is allowed to move around. This can be played in the moving bass instrumental and gives the impression of a boogie woogie style - in the classic tradition of Ledbelly.

LESSON 6 - GUITAR BOOGIE
In this more advanced instrumental the student will discover how a melody line is introduced over a moving bass pattern for more effective fingerstyle playing. When this is acheived it becomes simple to introduce own ideas from the blues patterns in the previous session.

LESSON 7 - INTERNET BLUES
Using ideas from the earlier examples the student can combine the use of bluesy two note chords over a moving bass pattern.

LESSON 8 - BLUES FOR BRUSGARD
In this instrumental, all the previous ideas are combined into one. The student can recognise how by using these techniques a formidable fingerstyle can be achieved.

LESSON 9 - GUITAR SHUFFLE
An introduction to ragtime blues, using the fingerstyle techniques in previous sessions. Different chord changes are used to create this distinctive Big Bill Broonzy style of picking. Also, some improvisational tricks are demonstrate to develop the shuffle.

LESSON 10 - FISHING BLUES
A more demanding ragtime blues tune than the Shuffle, but again an interesting combination of the all the exercises the student has learned.

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